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If you’ve seen my video tutorials, you know I tend to mix with a lot of UAD plugins.
Here’s a roundup of my ten go-to plugins as well as some mix tips for each.
1. Studer A800
If I had to choose just one plugin from UAD, this would be it. It’s a mainstay on my drum buss and other sub-aux tracks. It can also really warm up a master buss and is excellent on lead vocals and close-miked drums.
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There are so many tonal options with this plugin—it’s like an EQ, compressor, saturator, signal destroyer all in one.
Tip: Experiment with the “bias setting”—try bringing it down to just before the signal starts breaking up, and then push the input for instant vintage saturation and excitement.
2. Neve 33609 Compressor/Limiter
This compressor, which models the classic Neve hardware, is a regular on kick, snare, drum buss and master buss.
If you’re looking to “glue” multiple sources together and add instant excitement without killing your dynamic range, this is my favorite compressor.
Tip: Send your bass in parallel to the 33609 and push the input to add excitement and vibe, while still maintaining the dynamics of the original signal.
3. Neve 1073
Depth, clarity, bite, mayhem—normally I choose a specialty EQ to add one of these qualities to my audio, but the 1073 can achieve all of it and more. It’s super smooth and I’d describe it as “forgiving” on vocals, but it works on pretty much anything.
Tip: Use this in Unison in conjunction with an Apollo interface, and set it to mic level when recording electric guitar (make sure to turn the output way down) for the most absurd, fuzzy, 70’s lead guitar tone I’ve ever achieved in the box.
4. Manley Massive Passive
The original hardware unit is one of the most widely used equalizers in mastering. Try this plugin, add a generous amount of 12 or 16 kHz to the two-buss and you’ll see why.
Tip: Run this in parallel on lead vocals or a vocal aux, and add a substantial amount of gain (anywhere from 1 kHz to 27 kHz) to add whatever the vocal might be missing—whether it’s bite, clarity or air. Be mindful not to push the volume of that aux track too much. The high-end is unmatched.
5. Harrison 32C
A great Swiss Army Knife equalizer. Intuitive, and easy to use, but also full of character and interesting tones.
Tip: Whereas the upper midrange of most plugin equalizers can be harsh and brittle, this EQ is really pleasing in that range. Try it on electric guitars, with a couple dB of gain (anywhere from 1 – 3 kHz) for bite without the fatiguing quality that other plugins can sometimes add.
6. LA-2A Collection
Despite having minimal controls, this emulation of the classic hardware compressor is extremely versatile. The fact that you get several variations makes the collection even more powerful.
Tip: These compressors have their own unique tonal characteristics in addition to being adept at managing dynamic range. Experiment with the different versions in the collection before reaching for an equalizer.
7. Ampex ATR-102
This tape emulation plugin is perhaps even more versatile than the Studer A800 given that it has a built in delay and additional tape characteristics. For warmth and midrange vibe, I’ll reach for the A800. For clarity and sheen, I usually choose the ATR-102.
Tip: Experiment with the Wow, Flutter and Noise features to make your VST synths sound more “drifty” and analog.
8. dbx 160
Use it on snare. It’s “that” sound, instantly.
Tip: Seriously: snare drum.
9. Shadow Hills Mastering Compressor
It can be intimidating to use this one for the first time if you’re not familiar with the original hardware unit or well-versed in compression, but get past the initial learning curve and it’s one of the most versatile plugin compressors.
Tip: To retain and even enhance the bass response of program material, make sure to engage the sidechain function, and choose the “steel” transformer setting.
10. EMT 140
Another emulation of a classic unit, this is one of the only reverb plugins that “feels” like a piece of hardware.
Tip: Between the different plates, input filter and EQ settings, you’ve got a ton of options. Try doing something drastic like adding 12dB somewhere between 1 kHz – 6 kHz with the plugin’s EQ engaged for any track you want to really stand out. I feel confident “pushing” a lot of these plugins, and the EMT 140 is no exception.
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If you've seen my video tutorials, you know I tend to mix with a lot of UAD plugins. Here’s a roundup of my ten go-to plugins as well as some mix tips for each. 1. Studer A800 If I had to choose just one plugin from UAD, this would be it. It’s a mainstay on my drum buss and other sub-aux tracks. It
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Since we reviewed Universal Audio’s original creation PCI DSP plug-in card, UAD1, in the October 2001 SOS release, an increasing number of musicians have spent on the system. This is due in part to the plethora of painstaking digital re-creations of classic analog processors (such as some of their particular hardware reach), which are highly effective in distributing Universal Audio’s enviable reputation for sonic excellence to the PC universe. study.
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However, naturally, it may not have enough plug-in power, so even because Universal Audio 2004 is crumbling to give the idea a try. But failing to provide a more powerful, code-compliant substitute for Chromatic’s Mpact two Media Processor (where UAD1 was established), they needed to go back to the design dashboard and design their new UAD2 around another signal processor, As it necessarily simplifies the build process as the next generation of hardware has just started shipping.
However, All 3 cards are short PCI Express forms, along with all Solo cards, a half-rise card, and full-height cards. The supported audio sampling rates comprise 44.1 kHz and 48 kHz, plus multiples up to 192 kHz, though the plug-in count decreases proportionally at higher prices, unsurprisingly. Setting up hardware and software on my device was as easy as pie, and plugin authorization was pretty straightforward as well, though my study system isn’t on the web.
Similarly, All you need to do is get the UAD2 management software to create an internet link file, which you can then open on almost any web-capable machine. Then, you download one of the authorization files (regardless of how many add-ons you have authorized), move it back to the study system, and drag it to the administration program desktop.
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After that. UA’s next-generation DSP accelerator incorporates eight SHARC processors that provide a massive DSP boost for huge professional combinations. Run UAD Powered plug-ins through your PC’s two Thunderbolt or Thunderbolt links for immediate access to the most genuine analog. Emulation plug-ins on the planet with juice functionality at higher sample rates and lower plug-in latency compared to FireWire.
Along with a powerful DSP Accelerator mobile unit, you will receive UA’s Core UAD Plug Pack along with Analog Classics Plus Plugin Pack. Plus, you can get over 90 discretionary plugins at Ampex, Lexicon, Studer, Neve, and more. The following software may be automatically compatible with these plugins. Like, Ampex, Lexicon, Studer, Neve, Manley, and many more. This is an award-winning audio plugin that offers you analog emulation.
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After that, Universal Audio is a 1958-based developer and importer of sound signal processing equipment and DSP applications from Bill Putnam. Play the classic analog recording equipment designed with your father and coworkers “and.” Research and design new recording instruments from the soul of classic analog technologies. ”
Universal Audio reproduces modern variations of classic UREI and Teletronix designs. Universal Audio also offers and designs DSP cards and sound plugins for audio generation through the UAD-2 platform. The business has won some TEC Awards along with a FutureMusic Platinum award. Creator Bill Putnam Jr.’s son is currently the CEO. Here is a torrent file of Universal Audio UAD available for free download. You don’t need to worry about it and you don’t need to pay anything.
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